Contrasting Monologues for Auditions
For people that have been asked to do two contrasting monologues, they often feel that it means one comedic and one dramatic.
However,the contrast is also in tone, style, subject and deliver. Remember this and the following advice when deciding upon your contrasting monologues.
Picking contrasting monologues is vital to showing off your capacity as an act. Look at what occurs in each piece and see if they are truly different and contrasting.
Contemporary and Classical don’t necessarily contrast. They might be similar characters, from similar backgrounds with similar concerns or objectives. The same can be said of the dramatic and the comedic, they are not necessarily contrasting.
When you look at your two pieces, try to make a list of the similarities and differences in the pieces, are there more differences than similarities?
Try to contrast the situation that the character is in, is one talking aloud about their thoughts and feelings and the other mid-flow in the crisis of the drama.
Are the pace of the two pieces different?
Are the topics similar? When you think of the theme of the pieces, do they actually contrast?
Contrasting monologues are two very different characters with two very different goals in two very different situations, in two very different plays and two very different genres of dramatic literature. Contrast is black and white, night and day, not differing shades of gray.
Contrast can exist in:
- Character
- Objective
- Genre
- Situation
- Type of Language
- Movement Demands
- Emotional Range
- Mood or Tone of the Speech
- Accent
The more differences, the more contrasting. But be sure that the heart of each speech is actually different. I’m surprised by how many people bring me very similar monologues without understanding that they are almost entirely the same monologue, just wrapped in different paper.
Contrasting monologues show your dynamic range and capacity. If you need help, you know where to find me.
To You, The Best!Mark Westbrook
Senior Acting Coach
ACTING COACH SCOTLAND
Like What You Read? Want to Read More? Mark's eBook is available here
Looking for Acting Classes in Glasgow? Mark Westbrook is a Professional Acting Coach and runs Acting Coach Scotland, a private acting studio offering acting classes in Glasgow, masterclasses, workshops and audition coaching for actors at all levels. His acting studio is based in Glasgow, Scotland, although he teaches all across the United Kingdom. All Blog Posts © Mark Westbrook 2011
Recent Posts
- How to Rehearse Ichi-Go Ichi-E – PART 2
- How to Rehearse Ichi-Go Ichi-E – PART 1
- The Lines Come Last
- The Stages of Rehearsal – Tuckman Style
- What do the Best Do?
- The Shakespeare Challenge
- Acknowledge
- Circles of Presence
- Tales from the Trenches Part 4
- Tales from the Trenches Part 3
- Tales from the Trenches Part 2
- Tales from the Trenches Part 1
- Is That The Best You Can Do?
- The Beige Middle
- Achieving Your Goals – A Little More Help
- Pareto or Bust
- Destroying Obstacles
- Paid in Sweat
- Life is NOT a Rehearsal
- The Only One to Blame… Is You.
Blog Categories
Archives
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
